Consort Yang Mounting a Horse

Qian Xuan's "Consort Yang Mounting a Horse" - A Reproduction of a Yuan Dynasty Masterpiece

Consort Yang Mounting a Horse is a celebrated painting by Qian Xuan (1235–1305), a renowned artist of the Yuan Dynasty known for his refined and poetic style. This work depicts the famous Tang Dynasty beauty, Consort Yang (Yang Guifei), in a moment of grace and elegance as she prepares to mount a horse. The painting captures her delicate posture and flowing robes, set against a tranquil landscape that enhances the sense of serenity and refinement.

Qian Xuan's mastery is evident in the delicate brushwork and subtle use of color, which bring the scene to life with a sense of timeless beauty. The composition is balanced and harmonious, reflecting the artist's deep understanding of classical Chinese aesthetics and his ability to blend human figures with natural surroundings. Consort Yang, a symbol of beauty and romance in Chinese culture, is portrayed with a sense of dignity and poise, embodying the ideals of grace and elegance.

This painting is a fine example of Qian Xuan's ability to combine historical narrative with artistic expression. His works often evoke a sense of nostalgia and reverence for the past, making them highly valued by collectors and scholars.

This reproduction faithfully captures the essence of the original, making it a treasured piece for collectors and admirers of classical Chinese art. It offers a glimpse into the refined aesthetic and cultural traditions of the Yuan Dynasty, perfect for those who appreciate the intersection of history, beauty, and artistry.

Qian Xuan (1235–1305), courtesy name Shun Ju, pseudonyms Yu Tan, was a Chinese painter from Huzhou, the present-day Wuxing District in Zhejiang. He lived during the late Song dynasty and early Yuan dynasty.
Qian Xuan started as an aspiring scholar-official during the rule of the Southern Song (960–1279). However, he had difficulty climbing the ranks of officialdom. When the Mongol-founded Yuan Dynasty took over the southern regions of China in 1276, he effectively gave up on the idea of a career in civil administration. In 1286, his friend Zhao Mengfu found and accepted a position there, and so for a time it seemed he could as well. However, he refused on patriotic grounds, while he cited old age to avoid difficulties. He nevertheless was considered a Song loyalist.

His life after 1276 was devoted to painting, and he became noted as a "fur and feathers" painter. He was also adept at bird-and-flower painting, character painting, and landscape painting. He is known for landscapes that hinted at a longing for a return of native Chinese rule, such as in the work Home Again. He mixed Song realism with an archaic Tang style.

钱选杨贵妃上马图元代古画真迹复制

钱选（1235-1305），字舜举，笔名玉潭，湖州（今浙江吴兴）人。 他生活在宋末元初。

钱选在南宋统治时期（960-1279）开始成为一名有抱负的士大夫。 然而他在官场的晋升却举步维艰。 当蒙古建立的元朝于 1276 年接管中国南部地区时，他实际上放弃了从政的想法。 1286年，他的朋友赵孟俯在那里找到并接受了一个职位，所以有一段时间他似乎也可以。 但他以爱国为由拒绝，并以年老为由回避困难。 尽管如此，他仍被认为是宋朝的忠实拥护者。

1276年后，他一生致力于绘画，并以“毛皮和羽毛”画家而闻名。 他还擅长花鸟画、人物画、山水画。他以暗示渴望回归中国本土统治的风景画而闻名，例如在作品《回家》中。 他将宋代现实主义与古唐风格融为一体。