Visiting Friends by the Riverside Pavilion

Wu Hong (1615–1680), also known as Wu Yuan or by his courtesy name Yuandu, and pseudonyms Zhushi and Xijiang Waishi, was a native of Jinxi, Jiangxi, who later settled in Jiangning (modern-day Nanjing). From a young age, he showed a passion for painting, developing a unique style. In 1653, he traveled north of the Yellow River and visited Xueyuan, which profoundly influenced his artistic approach, leading to a more expansive and free-spirited technique. His works often drew inspiration from natural landscapes and the idyllic utopia of the Peach Blossom Spring, characterized by a balanced composition of density and openness, exuding a majestic and broad atmosphere. Alongside Gong Xian, Gao Cen, Fan Qi, Zou Zhe, Ye Xin, Hu Zao, and Xie Sun, he was recognized as one of the "Eight Masters of Jinling." Among them, Wu Hong's style was the most unrestrained and imaginative, blending boldness with intricate details, and his works are filled with a vivid sense of life. He occasionally painted bamboo and rocks, showcasing a masterful use of ink.

"Visiting Friends by the Riverside Pavilion" is a testament to Wu Hong's refined brushwork and his ability to capture the serene beauty of Jiangnan's autumn water towns. The painting employs a "level-distance" composition, creating a sense of vastness while maintaining clear layers. The skillful use of ink washes and light coloring results in a harmonious and refreshing palette, embodying the classic "light crimson" style. The scene is both tranquil and lively, with meticulous attention to detail that brings the landscape to life.

This reproduction faithfully captures the essence of Wu Hong's original, making it a treasured piece for collectors and admirers of classical Chinese art. It offers a glimpse into the poetic and introspective style of the Ming-Qing transition period, perfect for those who appreciate the harmony of nature and the artistry of ink wash techniques. 

吴宏江楼访友图真迹复制

吴宏（1615 —1680）宏，一作弘，字远度，号竹史、西江外史。江西金溪人，移居江宁（今南京）。自幼好绘事，自辟蹊径。顺治十年（1653）曾渡黄河，游雪苑，归而笔墨一变，纵横放逸。画作大多取材于自然景物及仰慕的桃花源仙境，构图疏密相间，气势雄阔。与龚贤、高岑、樊圻、邹喆、叶欣、胡慥、谢荪合称为“金陵八家”，在八家中画风最为粗放，浑融无际，任凭想象，景色细致苍郁，充满了生活气息。偶作竹石，亦有水墨淋漓之致。周亮工赠诗云：“幕外青霞自卷舒，依君只似住村虚，枯桐已碎犹为客，妙画通神独亦予”。

江楼访友图笔墨精致，景色苍秀，真实地描绘了江南秋季的水乡风貌。构图采取平远手法，天地广阔而又层次分明。运用恰到好处的烘染技巧，略施淡彩，色调和谐且明快清爽，具有典型的“浅绛”风格。